Diferencia entre revisiones de «ENG:Hanga Roa - Rano Kao»
(Página creada con '{{Draft}} {{Trekking Chile}} {{Rutas Patrimoniales english}} ==Season== Year round ==Access== Easter Island is located in the oriental end of the Polynesia, in the South Pacific…') |
(→Museo Arqueológico Padre Sebastián Englert - Ana Kai Tangata) |
||
Línea 13: | Línea 13: | ||
most isolated of the world. | most isolated of the world. | ||
==Route description== | ==Route description== | ||
− | === | + | ===Archaeological Museum Father Sebastián Englert - Ana Kai Tangata=== |
− | *'''Distance and | + | |
+ | The section begins in TUKI 1 located | ||
+ | in the Archaeological Museum | ||
+ | Father Sebastián Englert, called this | ||
+ | way in honor to the priest Capuchin | ||
+ | who dedicated his life to the | ||
+ | investigation, rescue and diffusion of | ||
+ | the Rapa Nui culture. The museum, | ||
+ | inaugurated on October 10, 1973, | ||
+ | exhibits the most representative | ||
+ | objects of the culture, as well as | ||
+ | panels with the history before the | ||
+ | arrival of the European explorers. The | ||
+ | museum possesses a specialised | ||
+ | library, not only on Rapa Nui culture, | ||
+ | but also on the Polynesian culture. | ||
+ | After this visit, you will be in ideal | ||
+ | conditions to go across the rest of the | ||
+ | route, with a better understanding of | ||
+ | the local customs and traditions. | ||
+ | Leaving behind the museum, walk | ||
+ | down trough Atamu Tekena street up | ||
+ | to the coastal sector, where there the | ||
+ | archaeological set of Tahai, TUKI 2 | ||
+ | is located. This complex ceremonial | ||
+ | place has three ahu or ceremonial | ||
+ | platforms, besides rooms and | ||
+ | domestic structures towards the | ||
+ | interior. Facing the platforms, from | ||
+ | left side to right, the ahu of five Moai | ||
+ | (monolithic statues) receives the | ||
+ | name of Vai Uri, the next one Ahu | ||
+ | Tahai, and the third one, with eyes | ||
+ | and hat, Ahu Ko te Riku. Because of | ||
+ | his size, probably it was the most | ||
+ | important ceremonial complex of this | ||
+ | side of the Island. | ||
+ | Between 1968 and 1970 it was | ||
+ | restored under the direction of the | ||
+ | archaeologists William Mulloy and | ||
+ | Gonzalo Figueroa. In that opportunity | ||
+ | there were find the basements of at | ||
+ | least 17 Hare Paenga (boat houses | ||
+ | typical constructions). The three | ||
+ | restored platforms correspond to the | ||
+ | same period and they would have | ||
+ | been in activity between the year | ||
+ | 1.000 and 1.600 A.C. Ahu Tahai, | ||
+ | nevertheless, is the most ancient of | ||
+ | the three and it was constructed | ||
+ | about 700 A.C. After 300 years, there | ||
+ | was constructed the platform that we | ||
+ | observe today. The hat (pukao) of the | ||
+ | moai Ahu Ko Te Riku, was carved for | ||
+ | the restoration for illustrative | ||
+ | purposes, there is not certainty that | ||
+ | this hat existed in the old days. Also, | ||
+ | the eyes were put by tourist purposes | ||
+ | at the beginning of the decade of | ||
+ | 1990. | ||
+ | Passing this sector and following the | ||
+ | path you will get to the Cemetery | ||
+ | Tahai, TUKI 3. Inaugurated in 1951. | ||
+ | Due to natural events that affected | ||
+ | the previous holy field, it is possible | ||
+ | to find graves of the beginning of the | ||
+ | XXth century. The first one buried in | ||
+ | this place was a Chilean sailor. Also | ||
+ | prominent figures of Rapa Nui history | ||
+ | rest here, as Uka A'Hey A'Rero (King | ||
+ | Atamu Tekera´s wife), deceased in | ||
+ | 1946. The cross placed in the center, | ||
+ | was carved on the original pukao | ||
+ | (hat) of the Moai of Ahu Ko Te Riku | ||
+ | located in Tahai's Ceremonial Center. | ||
+ | This is the fourth funereal catholic | ||
+ | place of Easter Island. The first one | ||
+ | was placed in front of the Vaihú´s | ||
+ | mission, the second one to the side of | ||
+ | the current Gymnasium Koro Paina | ||
+ | Kori and the third one, in the sector | ||
+ | of the agricultural colony, used as a | ||
+ | rest place for the patients of leprosy. | ||
+ | Between he cemetery and the sea, | ||
+ | you must continue towards Hanga | ||
+ | Vare Vare's sector, where there is the | ||
+ | Ahu O'rongo or TUKI 4. According | ||
+ | to the descriptions of navigators and | ||
+ | travellers, this ahu was constructed | ||
+ | by stones of big dimensions and well | ||
+ | worked. It managed to have four | ||
+ | Moai of toba and a fifth moai made | ||
+ | in very hard stone, so called | ||
+ | benmolita. It was located in a | ||
+ | secondary structure, in the south end | ||
+ | of the ahu (left side looked abreast). | ||
+ | Along his history, this ahu was | ||
+ | dismantled to use the rocks in the | ||
+ | construction of houses and even, the | ||
+ | former wharf of Hanga Roa's cove. | ||
+ | In 1872 the French ship The Flore | ||
+ | ended up at Easter Island, and the | ||
+ | crew facing its inability to take a | ||
+ | complete moai with them, the sawed | ||
+ | one to move only the head. Today that | ||
+ | moai’s head is in exhibition at the | ||
+ | museum of Trocadero in Paris. In that | ||
+ | occasion, Juliane Viaud, better known | ||
+ | as Pierre Loti, was part of the crew, | ||
+ | who besides a poet, was a great | ||
+ | draftsman. His drawings and stories | ||
+ | are a source of information about the | ||
+ | life in the Island at the end of the XIXth | ||
+ | century. | ||
+ | The Belgian Franc´s expedition (1934- | ||
+ | 1935), at the expense of the | ||
+ | anthropologist Alfred Métraux and | ||
+ | the archaeologist Henri Lavachery, | ||
+ | took away from the same ahu the | ||
+ | moai Pou Hakanononga, which | ||
+ | according to the tradition, was not | ||
+ | related to other Moai of the ahu. It | ||
+ | was placed there for some king to | ||
+ | indicate the best site for the tuna | ||
+ | fishing. The Pou Hakanononga is | ||
+ | exhibite in the Royal Museum of Art | ||
+ | and History of Brussels. | ||
+ | Walking ahead through Policarpo | ||
+ | Toro street up to Cove Hanga Roa O | ||
+ | Thai, corresponding to the TUKI 5, | ||
+ | one of five principal coves of Rapa | ||
+ | Nui. Here you will find many | ||
+ | fishermen’s boats. Also, this is a place | ||
+ | for unloading transatlantic ships. It is | ||
+ | the only places of services of | ||
+ | autonomous skin-diving. | ||
+ | This place is also known as Hotu | ||
+ | Matu´a Square, named this way by | ||
+ | doctor Álvaro Tejeda in November, | ||
+ | 1938, as part of the actions done by | ||
+ | him as a proclamation as Hotu | ||
+ | Matua´s King. Tejeda tried to re-live | ||
+ | in his honor the culture, the folklore, | ||
+ | the history and the ceremonial | ||
+ | known as the disembarkation of the | ||
+ | king in the bay. Tejeda, in order to | ||
+ | rebuild and implement an ahu in his | ||
+ | honor brought the moai located in | ||
+ | this platform, from the Ahu Atiu. | ||
+ | Continuing by Policarpo Toro street | ||
+ | you will get the Ahu Tautira, TUKI 6, | ||
+ | better known as Ahu Kopeka Tae Ati. | ||
+ | Its first descriptions appear in the | ||
+ | diary of the captain James Cook. In | ||
+ | 1774, moai of the entire Hanga Roa’s | ||
+ | coast were on foot. The last news | ||
+ | about these Moai standing up is | ||
+ | coming from the Russian expedition | ||
+ | at the expense of the commander | ||
+ | Lisjansky in 1806. However, in 1815, | ||
+ | when another Russian expedition | ||
+ | visits the island, supervised by the | ||
+ | commander Kotzebue, these Moai | ||
+ | were down. | ||
+ | With the arrival of the missionaries in | ||
+ | 1864 and the installation of the first | ||
+ | catholic mission in Rapa Nui, begun | ||
+ | to dismantlement the ahu to use the | ||
+ | stone in the construction of the | ||
+ | church and missionaries' houses and | ||
+ | all of those that were converted to | ||
+ | the Catholicism. Together with the | ||
+ | ahu, the Hare Paenga (boat’s | ||
+ | houses) locating opposite to the | ||
+ | platform were disarmed. Today, all | ||
+ | this place is a field of football. | ||
+ | During the First World War, the | ||
+ | German fleet supervised by the | ||
+ | captain Von Spee, encamped on what | ||
+ | was staying of the ahu and used the | ||
+ | moai that today is in the principal | ||
+ | platform, as oven. For doing so, they | ||
+ | perforated the moai in the stomach. | ||
+ | Some years later it was restored using | ||
+ | by cement. After leaving the Island, | ||
+ | the principal ship of the German fleet, | ||
+ | the Dresden, was destroyed by the | ||
+ | British forces nearby the island Santa | ||
+ | Cecilia, today know as Robinson | ||
+ | Crusoe of the Archipelago Juan | ||
+ | Fernandez. | ||
+ | The ahu almost disappears | ||
+ | completely in 1932, when Hanga | ||
+ | Roa's wharf was constructed. Finally, | ||
+ | between 1979 and 1980 the ahu was | ||
+ | restored under the direction of Sergio | ||
+ | Rapu and Andrea Seleenfreund, | ||
+ | avoiding his total destruction. | ||
+ | From the TUKI 6 we go though | ||
+ | Policarpo Toro Street up to the Ahu | ||
+ | Apina, which corresponds to the | ||
+ | TUKI 7, known as Ahu Mamara Nui | ||
+ | a Ure a Oho Vehi. It is placed by the | ||
+ | beach, in the same site where in 1774 | ||
+ | landed Captain Cook. One of the | ||
+ | members of his expedition, the | ||
+ | naturalist George Forster, indicates | ||
+ | that the moai of the ahu measured | ||
+ | 20 feet high (5,6 m) by 5 feet width | ||
+ | (1,4 m). According to this description, | ||
+ | the face was eroded, and the eyes, the | ||
+ | nose and the mouth scarcely were | ||
+ | distinguished. Also he mentions that | ||
+ | the moai had a hat (pukao), of one | ||
+ | meter and a half of high and of | ||
+ | similar diameter. | ||
+ | Continuing along the coast, you get | ||
+ | to Oho Vehi's sector, where the | ||
+ | Collapse of the Italian Ship, TUKI | ||
+ | 8, is remembered. The accident took | ||
+ | place because of a strong breaking | ||
+ | weaves at the moment of set sail that | ||
+ | it made it run aground in a reef | ||
+ | opposite to Papa Haoa. In the same | ||
+ | point were found stones named pore | ||
+ | or kikiris (round rocks), belonging to | ||
+ | the ship and that were taken for the | ||
+ | restoration of the Ahu Akivi (seven | ||
+ | Moai), where nowadays they are. | ||
+ | The only crew member of the ship | ||
+ | who had Italian nationality was the | ||
+ | cook, Nicolás Cardinali, from whom | ||
+ | descend the current Cardinali who | ||
+ | live in the island. | ||
+ | For the coastal edge take Apina | ||
+ | Avenue, pass the Building of the | ||
+ | Maritime Government, up to the west | ||
+ | side where the Rose of the Winds is | ||
+ | located, corresponding to the TUKI 9. | ||
+ | This rose indicates the distances | ||
+ | between the Easter Island and the | ||
+ | principal cities of the world. You may | ||
+ | appreciate the genuine isolation of | ||
+ | Rapa Nui, the insular inhabited lands | ||
+ | most far away from the world’s | ||
+ | communities. The island is also | ||
+ | known as “Tepito o te Henua” or the | ||
+ | navel of the world. | ||
+ | Continuing for this avenue, you’ll get | ||
+ | Motu Taka Rua, TUKI 10, in Punta | ||
+ | Roa, on the corner of Apina and Pont | ||
+ | Avenue. The breach of the waves | ||
+ | between the small motus (islands) | ||
+ | and rocks of the sector turns out to | ||
+ | be a spectacle of notable beauty. The | ||
+ | transparency of the waters, | ||
+ | luminosity, the purity of the | ||
+ | atmosphere and the substratum of | ||
+ | the sea bed, they allow a great | ||
+ | diversity of colors that go from the | ||
+ | pure target to the deep blue, spending | ||
+ | for the habitual green emerald. It | ||
+ | turns out very common to be able to | ||
+ | estimate the practices of handcrafted | ||
+ | fishing from rocks, which the local | ||
+ | people develop in the zone. From here | ||
+ | enjoy the spectacular beauty on the | ||
+ | seashore of the Island. | ||
+ | From here we can appreciate Hanga | ||
+ | Piko's panoramic sight TUKI 11, | ||
+ | where you will meet the bay and the | ||
+ | wharf of the same name. From two | ||
+ | hundred meters of the shore, the cave | ||
+ | Ana O’nono is located. This place was | ||
+ | inhabited in the past. Then appears | ||
+ | Hanga Viti Viti, a place where the | ||
+ | yachts are protect and where the | ||
+ | current wharf of Hanga Piko is | ||
+ | located. The company Williamson | ||
+ | Balfour constructed the wharf. Later, | ||
+ | under the administration of the Navy, | ||
+ | works of improvements were done. | ||
+ | From 1988 to 1991, were done the | ||
+ | works of conditioning that last up to | ||
+ | today. | ||
+ | In Hanga Piko's center there is the | ||
+ | Ahu Riata, TUKI 12. The site | ||
+ | associated with a ceremonial | ||
+ | complex constituted by the platforms | ||
+ | Ahu Ataranga, to the north, and the | ||
+ | Ahu Ana Hoto Huero, northwest from | ||
+ | Ahu Riata. In the south end is placed | ||
+ | the Ana Kororupa´s cave, were it is | ||
+ | possible to appreciate different types | ||
+ | of occupation. The stones of the | ||
+ | cavern have been used as raw | ||
+ | material for the elaboration of | ||
+ | appliances and used in the height of | ||
+ | sculptures. From 1995 investigations | ||
+ | developed, recovering great part of | ||
+ | the human osseous material being | ||
+ | arranged in different funeral | ||
+ | chambers, called avanga by the Rapa | ||
+ | Nui community. In 1998 the only | ||
+ | stand up statue is installed in the last | ||
+ | platform. | ||
+ | After enjoy Hanga Pico’s bay and Ahu | ||
+ | Riata, continues though the path up | ||
+ | to Atamu Tekena Avenue, where you | ||
+ | will see the guides towers of the | ||
+ | airport, in Mataveri's sector, TUKI 13. | ||
+ | In spite of its surface, Easter Island | ||
+ | possesses one of three longest | ||
+ | runways of Chile with an extension is | ||
+ | 3.350 m. Often it has been repaired | ||
+ | throughout the time, but in the | ||
+ | decade of the eighties, the NASA | ||
+ | turned into an emergency runway for | ||
+ | space ship. | ||
+ | For Atamu Tekena Avenue, this | ||
+ | section finishes in Ana Kai Tangata | ||
+ | or TUKI 14. This cave constitutes a | ||
+ | fundamental milestone in the history | ||
+ | and island art tied to the ritual of the | ||
+ | Tangata-Manu or Man-bird of | ||
+ | Orongo. The sky of the Ana Kai | ||
+ | Tangata´s cave is adorned by | ||
+ | surprising paintings, in beautiful red | ||
+ | and whittles colours. The figures | ||
+ | represent marine birds as the | ||
+ | Gaviotín Apizarrado (a type of gull) | ||
+ | migratory species that come to make | ||
+ | its nest every spring by the motus | ||
+ | (small islands) in front of Orongo. This | ||
+ | one also was the place where the | ||
+ | surprising Vaka ama (boats of sewed | ||
+ | tables) where made. | ||
+ | |||
+ | |||
+ | *'''Distance and expected time''': | ||
+ | |||
===Ana Kai Tangata - Orongo (cumbre Rano Kao) === | ===Ana Kai Tangata - Orongo (cumbre Rano Kao) === | ||
*'''Distance and expexted time''': | *'''Distance and expexted time''': |
Revisión del 22:21 13 abr 2010
Contenido
Season
Year round
Access
Easter Island is located in the oriental end of the Polynesia, in the South Pacific Ocean, at 27 º 9 ' south latitude and 109 º 27 ' west longitude, at 3.700 km from the coast of continental Chile. One of the populated island most isolated of the world.
Route description
Archaeological Museum Father Sebastián Englert - Ana Kai Tangata
The section begins in TUKI 1 located in the Archaeological Museum Father Sebastián Englert, called this way in honor to the priest Capuchin who dedicated his life to the investigation, rescue and diffusion of the Rapa Nui culture. The museum, inaugurated on October 10, 1973, exhibits the most representative objects of the culture, as well as panels with the history before the arrival of the European explorers. The museum possesses a specialised library, not only on Rapa Nui culture, but also on the Polynesian culture. After this visit, you will be in ideal conditions to go across the rest of the route, with a better understanding of the local customs and traditions. Leaving behind the museum, walk down trough Atamu Tekena street up to the coastal sector, where there the archaeological set of Tahai, TUKI 2 is located. This complex ceremonial place has three ahu or ceremonial platforms, besides rooms and domestic structures towards the interior. Facing the platforms, from left side to right, the ahu of five Moai (monolithic statues) receives the name of Vai Uri, the next one Ahu Tahai, and the third one, with eyes and hat, Ahu Ko te Riku. Because of his size, probably it was the most important ceremonial complex of this side of the Island. Between 1968 and 1970 it was restored under the direction of the archaeologists William Mulloy and Gonzalo Figueroa. In that opportunity there were find the basements of at least 17 Hare Paenga (boat houses typical constructions). The three restored platforms correspond to the same period and they would have been in activity between the year 1.000 and 1.600 A.C. Ahu Tahai, nevertheless, is the most ancient of the three and it was constructed about 700 A.C. After 300 years, there was constructed the platform that we observe today. The hat (pukao) of the moai Ahu Ko Te Riku, was carved for the restoration for illustrative purposes, there is not certainty that this hat existed in the old days. Also, the eyes were put by tourist purposes at the beginning of the decade of 1990. Passing this sector and following the path you will get to the Cemetery Tahai, TUKI 3. Inaugurated in 1951. Due to natural events that affected the previous holy field, it is possible to find graves of the beginning of the XXth century. The first one buried in this place was a Chilean sailor. Also prominent figures of Rapa Nui history rest here, as Uka A'Hey A'Rero (King Atamu Tekera´s wife), deceased in 1946. The cross placed in the center, was carved on the original pukao (hat) of the Moai of Ahu Ko Te Riku located in Tahai's Ceremonial Center. This is the fourth funereal catholic place of Easter Island. The first one was placed in front of the Vaihú´s mission, the second one to the side of the current Gymnasium Koro Paina Kori and the third one, in the sector of the agricultural colony, used as a rest place for the patients of leprosy. Between he cemetery and the sea, you must continue towards Hanga Vare Vare's sector, where there is the Ahu O'rongo or TUKI 4. According to the descriptions of navigators and travellers, this ahu was constructed by stones of big dimensions and well worked. It managed to have four Moai of toba and a fifth moai made in very hard stone, so called benmolita. It was located in a secondary structure, in the south end of the ahu (left side looked abreast). Along his history, this ahu was dismantled to use the rocks in the construction of houses and even, the former wharf of Hanga Roa's cove. In 1872 the French ship The Flore ended up at Easter Island, and the crew facing its inability to take a complete moai with them, the sawed one to move only the head. Today that moai’s head is in exhibition at the museum of Trocadero in Paris. In that occasion, Juliane Viaud, better known as Pierre Loti, was part of the crew, who besides a poet, was a great draftsman. His drawings and stories are a source of information about the life in the Island at the end of the XIXth century. The Belgian Franc´s expedition (1934- 1935), at the expense of the anthropologist Alfred Métraux and the archaeologist Henri Lavachery, took away from the same ahu the moai Pou Hakanononga, which according to the tradition, was not related to other Moai of the ahu. It was placed there for some king to indicate the best site for the tuna fishing. The Pou Hakanononga is exhibite in the Royal Museum of Art and History of Brussels. Walking ahead through Policarpo Toro street up to Cove Hanga Roa O Thai, corresponding to the TUKI 5, one of five principal coves of Rapa Nui. Here you will find many fishermen’s boats. Also, this is a place for unloading transatlantic ships. It is the only places of services of autonomous skin-diving. This place is also known as Hotu Matu´a Square, named this way by doctor Álvaro Tejeda in November, 1938, as part of the actions done by him as a proclamation as Hotu Matua´s King. Tejeda tried to re-live in his honor the culture, the folklore, the history and the ceremonial known as the disembarkation of the king in the bay. Tejeda, in order to rebuild and implement an ahu in his honor brought the moai located in this platform, from the Ahu Atiu. Continuing by Policarpo Toro street you will get the Ahu Tautira, TUKI 6, better known as Ahu Kopeka Tae Ati. Its first descriptions appear in the diary of the captain James Cook. In 1774, moai of the entire Hanga Roa’s coast were on foot. The last news about these Moai standing up is coming from the Russian expedition at the expense of the commander Lisjansky in 1806. However, in 1815, when another Russian expedition visits the island, supervised by the commander Kotzebue, these Moai were down. With the arrival of the missionaries in 1864 and the installation of the first catholic mission in Rapa Nui, begun to dismantlement the ahu to use the stone in the construction of the church and missionaries' houses and all of those that were converted to the Catholicism. Together with the ahu, the Hare Paenga (boat’s houses) locating opposite to the platform were disarmed. Today, all this place is a field of football. During the First World War, the German fleet supervised by the captain Von Spee, encamped on what was staying of the ahu and used the moai that today is in the principal platform, as oven. For doing so, they perforated the moai in the stomach. Some years later it was restored using by cement. After leaving the Island, the principal ship of the German fleet, the Dresden, was destroyed by the British forces nearby the island Santa Cecilia, today know as Robinson Crusoe of the Archipelago Juan Fernandez. The ahu almost disappears completely in 1932, when Hanga Roa's wharf was constructed. Finally, between 1979 and 1980 the ahu was restored under the direction of Sergio Rapu and Andrea Seleenfreund, avoiding his total destruction. From the TUKI 6 we go though Policarpo Toro Street up to the Ahu Apina, which corresponds to the TUKI 7, known as Ahu Mamara Nui a Ure a Oho Vehi. It is placed by the beach, in the same site where in 1774 landed Captain Cook. One of the members of his expedition, the naturalist George Forster, indicates that the moai of the ahu measured 20 feet high (5,6 m) by 5 feet width (1,4 m). According to this description, the face was eroded, and the eyes, the nose and the mouth scarcely were distinguished. Also he mentions that the moai had a hat (pukao), of one meter and a half of high and of similar diameter. Continuing along the coast, you get to Oho Vehi's sector, where the Collapse of the Italian Ship, TUKI 8, is remembered. The accident took place because of a strong breaking weaves at the moment of set sail that it made it run aground in a reef opposite to Papa Haoa. In the same point were found stones named pore or kikiris (round rocks), belonging to the ship and that were taken for the restoration of the Ahu Akivi (seven Moai), where nowadays they are. The only crew member of the ship who had Italian nationality was the cook, Nicolás Cardinali, from whom descend the current Cardinali who live in the island. For the coastal edge take Apina Avenue, pass the Building of the Maritime Government, up to the west side where the Rose of the Winds is located, corresponding to the TUKI 9. This rose indicates the distances between the Easter Island and the principal cities of the world. You may appreciate the genuine isolation of Rapa Nui, the insular inhabited lands most far away from the world’s communities. The island is also known as “Tepito o te Henua” or the navel of the world. Continuing for this avenue, you’ll get Motu Taka Rua, TUKI 10, in Punta Roa, on the corner of Apina and Pont Avenue. The breach of the waves between the small motus (islands) and rocks of the sector turns out to be a spectacle of notable beauty. The transparency of the waters, luminosity, the purity of the atmosphere and the substratum of the sea bed, they allow a great diversity of colors that go from the pure target to the deep blue, spending for the habitual green emerald. It turns out very common to be able to estimate the practices of handcrafted fishing from rocks, which the local people develop in the zone. From here enjoy the spectacular beauty on the seashore of the Island. From here we can appreciate Hanga Piko's panoramic sight TUKI 11, where you will meet the bay and the wharf of the same name. From two hundred meters of the shore, the cave Ana O’nono is located. This place was inhabited in the past. Then appears Hanga Viti Viti, a place where the yachts are protect and where the current wharf of Hanga Piko is located. The company Williamson Balfour constructed the wharf. Later, under the administration of the Navy, works of improvements were done. From 1988 to 1991, were done the works of conditioning that last up to today. In Hanga Piko's center there is the Ahu Riata, TUKI 12. The site associated with a ceremonial complex constituted by the platforms Ahu Ataranga, to the north, and the Ahu Ana Hoto Huero, northwest from Ahu Riata. In the south end is placed the Ana Kororupa´s cave, were it is possible to appreciate different types of occupation. The stones of the cavern have been used as raw material for the elaboration of appliances and used in the height of sculptures. From 1995 investigations developed, recovering great part of the human osseous material being arranged in different funeral chambers, called avanga by the Rapa Nui community. In 1998 the only stand up statue is installed in the last platform. After enjoy Hanga Pico’s bay and Ahu Riata, continues though the path up to Atamu Tekena Avenue, where you will see the guides towers of the airport, in Mataveri's sector, TUKI 13. In spite of its surface, Easter Island possesses one of three longest runways of Chile with an extension is 3.350 m. Often it has been repaired throughout the time, but in the decade of the eighties, the NASA turned into an emergency runway for space ship. For Atamu Tekena Avenue, this section finishes in Ana Kai Tangata or TUKI 14. This cave constitutes a fundamental milestone in the history and island art tied to the ritual of the Tangata-Manu or Man-bird of Orongo. The sky of the Ana Kai Tangata´s cave is adorned by surprising paintings, in beautiful red and whittles colours. The figures represent marine birds as the Gaviotín Apizarrado (a type of gull) migratory species that come to make its nest every spring by the motus (small islands) in front of Orongo. This one also was the place where the surprising Vaka ama (boats of sewed tables) where made.
- Distance and expected time:
Ana Kai Tangata - Orongo (cumbre Rano Kao)
- Distance and expexted time:
Recommendations
- This trekking is described in full detail in the following topoguide of the Ministery of Public Patrimony. The printed guide can be obtained for free in the Ministery:56-2-3512100 -> 2325. It is hihgly recommended to take it to the walk, as it enriches the experience with descrptions of flora, fauna, geography and geology.
Route in Google Earth
Expected time
To download the file right-click and then select "Save file as" (IE) or "Save link as" (Firefox, Chrome). By trying to open it directly, some browsers will show the raw code with the coordinates.